Monday, April 30, 2012

The Book of Human Language [ I. Violence ] --Ta-Nehisi Coates, The Atlantic:
I have always considered myself a product of the Crack Era.  The violence of the late 80s and early 90s was a nuclear bomb--we remember those who died in the blast, but so many more walked away, done different and irradiated. 
.. I didn't simply fear being hurt, I actually didn't like hurting other people. I only changed because it was made clear that  the quickest path to peace was, in fact, a sharp, immediate demonstration of violence.  ..
The acceptance of this violence was framed by still greater violence. For all of us it was the violence parents did to children. But for many of us it was more--sexual violence, the violence adults did to each other, the violence brought out by addiction, the constant presence of the police.  ..
I have never, in my life, been as scared as I was on the first day of middle school. What petrified me was that the boys--most of whom were older--spoke the language of violence. Violence shaped how they walked. Violence shaped who they walked with. Violence shaped when they laughed and what they laughed at. Violence shaped how they wore their Starter caps. Violence told them when to give dap and when to give the ice-grill. It was an entire range of cues, an intricate dance, all designed to either protect your person, or dramatize the effort.
..You remember the overpowering darkness of it all--and you remember this (the not knowing) even more then you remember the bumrush.
Only twice in my life have I felt as lost as I did on that first day at Lemmel: When I moved to New York and when I started studying French. The obvious point is that "not knowing" on the streets carries a kind of consequence which "not knowing" in French class does not. And yet the fear--the darkness--is still powerful.  Violence isn't simply physically painful, it is degrading and humiliating. The worst part about getting jumped was my helplessness. 
This is how I have experienced learning French.  Even the rules of that foreign language are given in a foreign language. And when she calls on you, it's with the expectation that you will understand. And you never do. I experience this as a bumrush, as a rain of blows from all directions.
When I was a boy, I did not understand. More, I did not understand that not understanding was how it all  happened. I was left in the dark--and then  forcibly remanded to a strange immersion. And yet I learned the syntax, the vocabulary, the sounds. And I came to like the sound. I got fluency and then fraternity. I walked outside. And then I got love.

White Privilege --Ta-Nehisi Coates , The Atlantic
There's a very nice note in the comments section for my post below this one from a gentleman who was kind enough to read my memoir ..
I want to stress that I really appreciate this note. While I wrote thinking mostly about a young black kid who might find himself in the sort of situation I found myself as an adolescent, I also wanted the book to be open and hoped that people who were nothing like me might find something in there.  / I did.  middle school (when immersed with peers ~ after wh I got my way? ~ of finding myself outside of hierarchy) being in the know even the violence yes  //
I don't want to speak for any other black person, or any other black writer, but it needs to be understood that my identity isn't founded on the losing end of "white privilege." I understand the use of that term for social scientists and perhaps literature critics. But I generally find it most powerful and most illuminating when linked to an actual specific privilege--not fearing sexual violence, not weighing one's death against the labor of birthing, living in a neighborhood bracketed off by housing covenants, not having to compete for certain jobs etc. In its most general invocation, I'm often repulsed because I think these sorts of questions often break down in the face of actual individuals.
The world of the individual--and often the black individual--is the space where I write. It is true that I can tell you how racism--indirectly and directly--affected my life. But you should also know that I truly believe that I had the best pair of parents in the world, that I had six brothers and sisters (sometimes more) who took care of me. 
In short--you need to know that I was privileged. I can run you all kinds of stats on the racial wealth gap and will gladly discuss its origins. But you can't really buy two parents like I had. Money can buy experience and exposure--but it can't make you want those things. It can't make your parents curious about the world. It can't make them moral, compassionate and caring. It can't make them love their children
White commenters who were financially "better off" than me should assume only that, and no more. They should certainly not assume they were more privileged. I certainly do not. It is the privileges which I experienced, as an individual, that brings me here. If you read something on this blog, or in one of my books, that resonates, holler at me. Don't apologize. Don't feel guilty. The guilt isn't about me anyway.  Address me straight up. You didn't do anything to me. And fanatically believing in "Coatesian Exceptionalism," I can't even concede that you had more than me.
I was privileged. I got love for you. But I would not trade with you:)
Bon weekend, folks.

Saturday, April 28, 2012

Eastbound and Down
videogum.com/509172/goodbye-kenny-powers/tv     4/16  by Gabe:
In the midst of all of the TV last night, which was so much TV, there was, of course, the Eastbound and Down series finale. We haven’t talked that much AS A FAMILY about this season, but that’s because we didn’t need to. It was great. Within the first 10 minutes of the very first episode of season 1 I texted my friend Max and told him that Eastbound & Down was a “game-changer.” And for the past three seasons, it has consistently been the funniest show on television. The end! 30 Rock is so smart and Portlandia has a heart of gold, but when it comes to straight up LAFFS, it was always Eastbound. (The show was actually very smart and full of heart, as well, but we’ve got to save SOMETHING for the other shows.)
The first season was so perfect that the second season gave reason for concern. Would the show still be as sharp and funny? Answer: yes. Different, but yes. Season 2 was great. The show became increasingly absurd over the years, perhaps, but everything changes, and the reality of an actual Kenny Powers probably couldn’t have sustained more than those initial episodes because we know how the real story ends: the way this one began: on someone’s couch, with a terrible hangover, ghosts of bad decisions past, and no actual prospects.
 This year went further off the deep end but in a way that was entirely enjoyable. .. But, so, and then, of course, there is last night’s series finale, which was basically perfect: redemptive without being cloying, hilarious and brash and stupid and genius. What a great show. R.I.P. to it.

-I’ve always been a fan of the bird bath scene from Season 1.
KP: “I’m just mad at my arm trying to buttfuck me back here.”
Dustin Jr. : “I hated that bird bath.”
KP: “I broke that birdbath for you, cuz I knew you hated it. Cuz we’re the same. I hated that fuckin thing too.”


Veep
videogum.com/513341/wait-did-we-talk-about-veep-yet/tv     4/24  by Gabe:
Some of us, and I really don’t want to get into finger-pointing because it’s rude and it sets a bad tone so let’s just leave it at some of us, were traveling this weekend and were not able to be here yesterday and again, you know, the past is the past so let’s just get on with it, but so we didn’t catch up on the Sunday night television until Monday night when we were back home and I shouldn’t even say we because people are just going to make assumptions on who that implicates when really it could be anyone and I’m obviously just speaking in the abstract. The point is: does HBO even know there are seven nights in a week because it seems like maybe they only think there is one night.
.. I read a criticism of the show this morning that it was unrealistic and focused too much on the brokenness of Washington without showing the genuine idealism of so many of our elected representatives and it’s like, well, HAHAHAHAH. I mean, come on, guys! Like, OK, you’re not WRONG exactly, but a) it’s only been one episode and one can easily imagine a new strand of generosity and human emotion woven into the plots because that would be a good and pretty traditional way of rewarding the audience for investing in these characters


Friday, April 27, 2012

Mad Men 5-6: "Far Away Places" 2012.04.22 - TWoP Forums - Page 21 - Snookums:

- Snookums 'fanatic' :

This trip was nothing but a buildup to that fight. Don's impulsive snatching of Roger's idea (two single guys on the prowl) and trying to turn it into a loving weekend trip with his bride (I'm Faithful!) even though she clearly was not down with being his geisha companion when there's work to do on a big campaign.
The way they were together in the car--that cautious, very metered and carefully jolly speech they both used to try to announce their true feelings about this trip (I don't want to be here/Save me I don't know why I did this). Don finally ordering Megan to sleep (as he did to Sally in another car ride long ago) and when she wakes up "they'll be there."
HoJo's, with its hysterical cheeriness and color schemes, nothing but delicious decisions and happy families and swims in the pool, except Megan forgot her swimsuit, the one from their honeymoon. Oh, well, let's eat instead. Here's a little of everything.  Wow, you barely made a dent in that feast that was spread before you!  Isn't this a great place, honey? Yes, but it's on the way to somewhere else. Never mind, I'll just work. Please tell me when I'm supposed to be working and when I'm your wife. Dessert? Okay, pie...or sherbert, I guess. You'll love it. You will love it. It tastes like perfume, alluring to the nose but not edible. You are trying to embarrass me! Oh, am I? Watch this, buddy! Milkshakes aren't the only thing I can clean up! Maybe you should call your mother! And what do you call yours? A line is crossed and snapped. Don, I am talking to you, don't run away! Get in the car. Hah! Oh, really! I'll show you, mommy, I don't need you, I don't need anyone, I can leave anytime I want!  ...wow, that was...I don't want to know what that was. I'll go back, she'll be fine. We'll be fine.
She's not here.
She's not in here, or here. She didn't ask for the key. She's coming back. I'll wait. You can't sleep here, sir, you've already arrived. I have to find her. Have you seen her? Have you?

The dread Don felt at the notion that Megan was really, truly, gone was palpable and primitive. It had nothing to do with being embarrassed or even angry at a specific person, it was the pit yawning beneath a man who has felt alone all his life, had gone to the most truly extraordinary measures to create a persona that attracts, then flees from what it lures in, to avoid that feeling. It never occured to the person he was during those hours that Megan was mad, that she had her own reasons for the fight, that she may have taken something as logical and prosaic as a bus. Buses don't run this route, the darkest and worst of all bad trips.



This trip was nothing but a buildup to that fight.  The way they were together in the car--that cautious, very metered speech. Don finally ordering Megan to sleep (as he did to Sally in another car ride long ago) and when she wakes up they'll "be there."  HoJo's, with its hysterical cheeriness and color schemes, nothing but delicious decisions and happy families and swims in the pool.  Isn't this a great place, honey? Yes, but it's on the way to somewhere else. Never mind, I'll just work. Please tell me when I'm supposed to be working and when I'm your wife. Dessert? You are trying to embarrass me! Oh, am I? Watch this, buddy! Maybe you should call your mother! And what do you call yours?  I don't need you, I don't need anyone, I can leave anytime I want!  ... She's not here. She's not in here, or here. She didn't ask for the key. She's coming back. I'll wait. You can't sleep here, sir, you've already arrived.

Monday, April 16, 2012

reminders on iphone


not today not tomorrow


you remember your own life a little more than a novel you once read un peu plus that's all


it's an experiment


it's tight panic down the birth canal, to carry on


any contact with the true self is healing and brings joy




So what? -Rev Sam to Dexter

Don't you think you've made me miss enough TV today, Jack? -Tony Almeida to Jack Bauer

At present I would prefer not to be a little reasonable. -Bartleby



Mr Van Zandt are you interested in botany? No. Are you interested in aviation? No.

You have to be against something. So that's why I'm against the burning of witches. Every time they burn a witch I get all hot under the collar. -lionine Abe, Tender is the Night

She said you can take anything you want.



I'll tell you. Today in the yard? Felt like earthquake weather.



Don't fight him, don't spite him, just wait til tomorrow. Maybe he'll ride on again.



Ask yourself, What if it's the Opposite?
--A Time For Everything

_



Do not save love for things. Throw
things to the flood.





/Lorine Niedecker

Sunday, April 1, 2012

Case Histories S01E05 When Will There Be Good News Part 1 English.txt 
 [[car broken down, he's smoking out the window ~ 7 min in]]

(Jackson Brodie! Are you interfering with sheep?)
Have you ever been to Paris? (I have not, as a matter of fact. Will that be all?)

I'm saving up. A trip. Maybe take a friend. That's why I cancelled my AA subscription.

(And you've broken down and you want me to send you a squad car?)

Well, that would be very generous -- but really I phoned to talk to you about Paris.



"Pendant une telle journee, c'est bon d'etre vivant." /his audio french course/

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