From Publishers Weekly: Claustrophobic paranoia, intentionally mediocre writing right I guess but most of it is great right? and a transparent gimmick which? dominate Egan's follow-up to Look at Me, centered on estranged cousins who reunite in Eastern Europe. Danny, a 36-year-old New York hipster yuep who wears brown lipstick (and whose body can detect Wi-Fi availability) -good-, accepts his wealthy cousin Howard's invitation to come to Eastern Europe and help fix up the castle Howard plans on turning into a luxury Luddite hotel (check your cell at the door). In doing so, Danny can't help recalling the childhood prank he played on a young Howie that left the awkward adolescent nearly dead—or so writes Ray, the druggie inmate who's penning this novel-within-a-novel for his prison writing workshop. this is much better than the jacket copy. Subsequent chapters alternate between Danny's fantastical castle travails (it's home to a caustic baroness bent on preserving her family seat) and Ray's prison drama. There are funny asides and trappings (particularly digital technology) along the way, and the sendup of castle narratives wait where generates some chuckles. But the connection between the two narratives, which Egan reveals in intentionally tawdry tawdry? I believe you I just- fashion, feels telegraphed from the first chapter ah that's what you call the gimmick, making for a frustrating read. (Aug.) hmm. well I sort of knew but only specifically determined the cnnxn twd the end with Ray remembering 'school' and that must have been meant to be a big frickin clue.
Amazon.com: The Keep: Books: Jennifer Egan